RESPECT FOR ALL

The Aurelia Greene Educational Campus, Bronx NY.

Collection of the NYC Department of Education, Public Art for Public Schools

Paper scraps and watercolor and oil markers on wooden board 

Baobab is now on view at Van Cortland Park Bronx NY at The African Burial Ground adjacent to the Tennis Court. 

Ubuntu is a group portrait, celebrating the familial and societal impact of womens lives and work.

Free street chalk drawing event

"Pride Of Our Village" will consists of 100 portraits of BIPOC women on painted on U.S Dollar bills honoring 100 years of women’s voting in the USA

The site-specific installation predominantly consists of African wax, Kente, Batik and Tie and dye fabrics scraps. Symbolically, it represents groups of women from diverse communities.

This piece conceptually answers the question of what it means to be black, informed by a complex view of the black and colored experiences in the United States.

Perceptive use of commonly found objects creates poetic representations of real world issues.

Is yesterday eating today’s tomorrow?

Paintings

Paintings

ANAS AREMEYAW ANAS

The project seeks to insinuate mentorship ideas to bridge the gap between leaders and youth. Participants worked in multiple media addressing social issues at the mosque facilitated by immigrant youth and artists.

I voiced out the concern of marketers by collecting 453 t-shirts and 21 flour sacks from the Kantamanto market to create a piece with the text that I borrowed from them.

In “I MISS YOU HOME” Tijay used photography to document a room where he lived between 2011-2016, located in B388/13, Shukura, Accra Ghana. 

In “I MISS YOU HOME” Tijay used photography to document a room where he lived between 2011-2016, located in B388/13, Shukura, Accra Ghana.