TIJAY MOHAMMED

TIJAY MOHAMMEDTIJAY MOHAMMEDTIJAY MOHAMMED
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  • Collage
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    • 2016-2021
    • 2012-2015
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    • HOME
    • ABOUT
    • Collage
    • Projects
      • 2016-2021
      • 2012-2015
    • Teaching Artist
    • Contact Us

TIJAY MOHAMMED

TIJAY MOHAMMEDTIJAY MOHAMMEDTIJAY MOHAMMED
  • HOME
  • ABOUT
  • Collage
  • Projects
    • 2016-2021
    • 2012-2015
  • Teaching Artist
  • Contact Us

INCOGNITO

“HOW WAS THIS YEAR’S WINTER?

INCOGNITO

This photograph series commemorate the incognito artists in our societies who may have consciously or unconsciously installed works of art in the public.

IPHIGENIA

“HOW WAS THIS YEAR’S WINTER?

INCOGNITO

My works are often fashioned as a result of public donations, therefore in Iphigenia the opposite transpired.

“HOW WAS THIS YEAR’S WINTER?

“HOW WAS THIS YEAR’S WINTER?

“HOW WAS THIS YEAR’S WINTER?

I Solicit answers from the inhabitants of Staten Island. This Performance mimics the Sandwich boards, by wearing a placard with the question “ How was this year’s winter?”

BLACK-AND-BLUE BA-NANA

LIVE AND DIE IN KANTAMANTO

“HOW WAS THIS YEAR’S WINTER?

I use the banana to sort of create a minimalist approach in both material and form to equate how men treat women verses how men should treat women.

ART IN THE MOSQUE

LIVE AND DIE IN KANTAMANTO

LIVE AND DIE IN KANTAMANTO

The project seeks to insinuate mentorship ideas to bridge the gap between leaders and youth. Participants worked in multiple media addressing social issues at the mosque facilitated by immigrant youth and artists.

LIVE AND DIE IN KANTAMANTO

LIVE AND DIE IN KANTAMANTO

LIVE AND DIE IN KANTAMANTO

I voiced out the concern of marketers by collecting 453 t-shirts and 21 flour sacks from the Kantamanto market to create a piece with the text that I borrowed from them.

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